EMBOSSING.
A
printmaking method in which a design is impressed into
paper without the use of any ink, creating a heavily
raised surface area.
ENGRAVER.
1. One who practices engraving.
2. The specialist who engraved on the stone in
lithographic engraving: a technique which was popular
when lithography had a larger industry than it has
today. (See lithography)
3. In photogravure, the line engraver specializes in the
etching process.
ENGRAVING.
(See printmaking techniques)
In a general sense, the word covers all works of art or
industry (both plate and impression) which use incision
as means of marking the design.
ENVIRONMENT,
ENVIRONMENTAL FACTORS.
In the context of conservation and
deterioration studies, these terms refer to physical
effects of the environment, such as humidity,
temperature, light, pollutants of the atmosphere.
ETCHER.
An engraver who practices the etching process.
ETCHING.
(See printmaking techniques)
One of the most important methods of intaglio
engraving.
ETCHING "A la
Plume".
A method of intaglio printing in which a pen
and ink drawing is made on a clean metal plate. When
this has dried, the entire surface is covered with a
light aquatint ground and placed in an acid bath which
has the effect of removing the ground where it is to be
found over the ink. The plate can then be bitten as for
a normal etching. The technique is difficult to do well,
and was much improved by the sugar-lift process.
"EX-LIBRIS".
An owner's mark placed in a book, usually on
the inside of the cover. Engraved ones have been used
since the fifteenth century.
EXPANSION.
The result of change in the dimension of a sheet of
paper due to excess humidity; more pronounced across the
grain than with it.
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